Ryan Reynolds revealed how intense his anxiety can be. Here’s how he manages it.

Ryan Reynolds is a funny guy.

Really, though. His jokes alone are a good reason to join Twitter.

But behind the laughs, the “Deadpool” star lives with a more sobering reality: the daunting effects of anxiety.

Reynolds has opened up about living with anxiety before. But in a new interview with The New York Times, the actor shed even more light on what he’s experienced living with the mental health condition and how he copes with its at times devastating hold.

Photo by Dimitrios Kambouris/Getty Images.

“I have anxiety,” Reynolds explained to The Times. “I’ve always had anxiety.”

“Both in the lighthearted, ‘I’m anxious about this,’ kind of thing,'” he continued, “and I’ve been to the depths of the darker end of the spectrum, which is not fun.”

Reynolds isn’t alone at the darker end of that spectrum. About 18.1% of adults in the U.S. — 40 million people — live with an anxiety disorder, according to the Anxiety and Depression Association of America. The organization reports it’s the most common form of mental illness in the country.

Though occasional bouts of anxiety are a normal part of being human, the Mayo Clinic notes that “people with anxiety disorders frequently have intense, excessive, and persistent worry and fear about everyday situations.”

Reynolds believes his anxiety stems, at least in part, from his childhood in Vancouver, Canada. “Our father was tough,” he told Variety in 2016:

“He wasn’t easy on anyone. And he wasn’t easy on himself. I think the anxiety might have started there, trying 
to find ways to control others by trying to control myself. At the time, I never recognized that. I was just a twitchy kid.”

Photo by Matt Winkelmeyer/Getty Images.

As an adult, he said his anxiety has manifested in many ways. He used to wake up in the dead of night, gripped with irrational panic over his future. When he starred on the ABC sitcom “Two Guys, a Girl and a Pizza Place” two decades ago, he’d often warm-up the live studio audience — not to selflessly loosen up fans, but to re-focus “the energy of just wanting to throw up,” he told The New York Times.

The actor can remember self-medicating in his early 20s as an attempt to avoid the symptoms associated with anxiety, saying, “I was partying and just trying to make myself vanish in some way.”

Reynolds plans on doing many of his upcoming “Deadpool 2” promo interviews in character — not to get laughs, he explained, but to temper his anxiety.

Even after decades in the spotlight, the actor’s anxiety elicits a unique kind of dread before interviews and talk show appearances. Emulating Deadpool’s sardonic stage presence helps him feel a bit more comfortable.

“When the curtain opens, I turn on this knucklehead, and he kind of takes over and goes away again once I walk off set,” he told the Times. “That’s that great self-defense mechanism. I figure if you’re going to jump off a cliff, you might as well fly.”

Reynolds also uses a meditation app, Headspace, to stay calm and — after years of living with anxiety — confidently reminds himself ahead of appearances that the awful feelings will soon pass.

If you’re in Reynolds’ boat, there’s no need to feel helpless. Everyone’s anxiety is different, so there’s not a one-size-fits-all approach to treatment, but the Mayo Clinic has some advice for those living with its effects: Take part in activities you enjoy, avoid drugs or alcohol (which can worsen symptoms), and consider reaching out for help from a medical professional.

To learn more about anxiety, visit the Mayo Clinic’s website.

Read more: http://www.upworthy.com/ryan-reynolds-revealed-how-intense-his-anxiety-can-be-here-s-how-he-manages-it

We shouldn’t be surprised that Southwest’s hero pilot is a woman

(CNN)The image of a pilot under stress, making a heroic emergency landing with a disabled plane, is the heart of lots of movies.

Now, rethink that image.
That is what happened Tuesday after the emergency landing of a Southwest Airlines plane in Philadelphia. An engine broke up in flight, the debris shattered a window and the rapid decompression nearly sucked out a passenger, who later died.

      Watch passenger video inside Southwest plane

    Oxygen masks came dangling down and the pilot took action. In recordings to air traffic control, in a calm cool voice, the pilot showed nerves of steel and landed the plane quickly and safely.
    “We have a part of the aircraft missing,” the pilot told air traffic control as the plane descended to safety.
    The public was quick to call the pilot a hero. Her name is Tammie Jo Shults. She is one of the Navy’s first female fighter pilots and the first woman to fly a F/A-18.
    Why does that matter? Ultimately it doesn’t. And that’s the point, especially to those passengers so terrified, Some used video chat during their perceived last moments and others tried to help wounded passengers and calm terrified travelers. It was a potential catastrophe being streamed and tweeted in real time. Were they thinking of the gender of the pilot? Likely not. All they wanted was the pilot to perform flawlessly.
    But, the image of the hero pilot as a “he” made some reports erroneous; not to pick on CBS, but the description of the aftermath — “Everyone clapped and praised the pilot after he set the aircraft down” — was wrong. And that error cultivates the stereotypical image of the cool guy saving the masses.
    Shults did everything that a highly trained professional would do. It wasn’t magic to her or her colleagues; they have trained and exercised for that moment of crisis for most of their careers. In other words, she is a hero to us, but for her and her colleagues she performed exactly to plan.
    Shults is proof, again, that there is no “female” approach to high-risk jobs, especially those in the military and public safety. Women should be given access because there really is no difference in their performance.
    The fight, for example, to get women into combat roles in our military, a debate that ultimately led to complete access for women in 2013, wasn’t because there is a girl’s way to fight, but because, if trained, women can perform in the same way as men.
    The goal of giving women access to these jobs, and promoting them once there, isn’t pursued because it makes us feel good, but because there is no reason to exclude women if they can perform as well as men.

    Join us on Twitter and Facebook

    Our images of the hero pilot aside, Shults showed that “nerves of steel” can have two X chromosomes. A combination of a person’s natural inclinations and the kind of training she received in the military were the key factors in her safe landing. I’m all for promoting a female hero, and the casting for the movie may have already begun. But the lesson of the safe landing isn’t that a female pilot performed heroically, but that a professional pilot performed exactly as trained.

    Read more: https://www.cnn.com/2018/04/18/opinions/southwests-hero-pilot-kayyem/index.html

    What actual longsword duels would have looked like.

    Longsword duels were a lot grittier than the movies make them out to be.

    Read more: http://www.wimp.com/what-actual-longsword-duels-would-have-looked-like/

    Netflix Proves It Can Raise Prices Without Losing Customers

    • Advances in Europe, Latin America drive growth past forecasts
    • Online service plans to release about 700 titles this year

    Netflix Inc. used to worry it would alienate customers by raising prices for its streaming service. Not any more.

    The company posted its strongest subscriber growth since going public 16 years ago, despite raising prices for most of its customers over the past several months. Los Gatos, California-based Netflix added 7.41 million users in the first quarter of the year, according to a statement Monday, easily topping analysts’ projections.

    New Subscriber Outlook

    Netflix capped an upbeat quarter with a bright forecast for new customers

    Source: Company reports

    Note: In millions

    Raising prices enabled Netflix to boost sales 40 percent last quarter and quiet investors who fret about all the money the company spends on original series and movies. Netflix will spend $7.5 billion to $8 billion on programming this year to lure more customers to its online TV network, which now boasts 125 million subscribers worldwide.

    “You have to earn it by doing spectacular content,” Chief Executive Officer Reed Hastings said on a call with investors. “If you do that, you can get people to pay more because then we can invest.”

    The results, including higher earnings and an upbeat forecast, were welcome news to investors. Netflix rose as much as 8.3 percent to $333.21 in extended trading after the results were announced. The stock was up 60 percent this year at Monday’s close in New York.

    Hastings hasn’t forgotten when a price increase almost took down the company. The stock stock price fell precipitously and subscribers canceled over a few months in 2011 after the company split its streaming service from its DVD-by-mail service, a move that amounted to a 60 percent price increase for customers who wanted to keep both.

    Forgive, Forget

    Yet a growing segment of the population forgave and forgot, replacing live TV services with Netflix’s on-demand library, even as the company’s average U.S. subscription price rose 12 percent in the past year. The popularity of the service surged in the U.S. once Netflix began funding original series, such as “House of Cards” and “Orange Is the New Black.”

    The production pipeline has since increased to levels that rival the world’s largest media companies. Netflix will release about 700 original pieces of programming this year, including about 80 movies (more than any studio), more than one stand-up special a week and as many unscripted series as any U.S. cable network.

    Worth just $20 billion at the end of 2014, when it had only released a handful of original shows, Netflix will likely surpass $140 billion in market value when trading opens Tuesday. Chief content officer Ted Sarandos has used the company’s rise to lure some of the top creative minds from rival studios.

    In February, producer Ryan Murphy agreed to leave 21st Century Fox Inc., where he made “American Horror Story,” for a deal at Netflix worth a reported $300 million. Earlier, the company signed “Scandal” producer Shonda Rhimes, who left her long-time home at Walt Disney Co.’s ABC to make shows exclusively for Netflix.

    More In-House

    Netflix has told investors it will save money by bringing development and production in-house and avoiding the markups imposed by rival studios. But spending is still growing as the company expands production in areas like film, unscripted series and kids programming. In the last quarter, the company released the documentary miniseries “Wild, Wild Country,” the second season of the Marvel comic series “Jessica Jones” and the horror film “The Cloverfield Paradox.”

    Total streaming content obligations grew to $17.9 billion in the first quarter, from $17.7 billion three months earlier, and that doesn’t account for the ballooning budget to market shows. While Netflix reports a profit, its cash flow last quarter was a negative $287 million, and investors will be paying close attention to whether the company plans to take on more debt, as it has every year since it started releasing original programming several years ago.

    Netflix has allayed concerns about its cash burn by continuing to add subscribers. On Monday, the company said it aims to add another 6.2 million subscribers in the second quarter. The company is also forecasting a further 41 percent increase in revenue this quarter, to $3.93 billion, and said profit would rise to 79 cents a share, both topping Wall Street estimates.

    This growing output justifies price increases, Netflix says. While $9.99 a month made sense when Netflix was making about as many shows as HBO, which costs more than that, the company can now offer customers as many new shows as several cable networks put together.

    Read more: https://www.bloomberg.com/news/articles/2018-04-16/netflix-top-estimates-for-quarter-projects-continued-gains

    Some Humans Have Real “Superpowers” – Here Are The Lamest Ones That Have Been Confirmed To Exist

    Comic books and action movies give an unrealistic expectation of superhuman abilities. In reality, having an extra-human ability isn’t all explosions, saving the world from evil, and flying off into the distance. If X-Men was real, for example, and we were all born with a random mutant ability, you can bet we wouldn’t all be able to read minds and control the weather. While there are some people with some pretty awesome “superpowers” (you can read about them in our article here), most of us would end up with these rather lackluster talents.

    Goosebumps Boy  

    Most people only get goosebumps when they are cold, experiencing strong emotions, or listening to “Africa” by Toto; however, a select few people have the ability to consciously give themselves goosebumps on cue.

    “It starts in the back of my neck,” an Argentinian man with this superpower recently told The Atlantic“It’s like I have a muscle there and I just make it work.”

    A recently posted pre-print study described 32 people who can control their goosebumps. They found that people with this ability tend to have personalities that are more open to experience. Other than this, it remains a bit of a mystery, although it doesn’t appear to be associated with any health problems.

    Pretty cool as party tricks go, but unlikely to stop any villains from taking over the world.

    The Real-Life Matter-Eater Lad

    Michel Lotito was a Frenchman with the incredible ability to eat more or less anything he wished (except bananas and hard-boiled eggs, which reportedly made him sick).

    During his lifetime, he consumed 18 bicycles, 15 shopping carts, seven TVs, six chandeliers, two beds, and even a Cessna 150 light aircraft – yup, he ate a whole plane. Of course, he ate the objects in smaller chopped-up pieces with liters of water, but it’s still fairly remarkable.

    Lotito was awarded a brass plaque by the Guinness Book for his achievements. He was so honored, he ate that too.

    The Human Towel-Dryer

    Scientists have shown that some people are able to consciously up their body temperature through meditation.

    During this study, the researchers headed to Tibet to witness a practice where nuns were able to raise their core body temperature and dry up wet sheets wrapped around their bodies in the cold Himalayan weather (-25°C/-13°F) while meditating. Lab experiments later showed that the nuns were able to consciously increase their core body temperature from 37 to 38.3°C (98.6°F to 100.9°F). It’s likely that the temperature of their fingertips and toes increased even higher.

    Eli Sprecher et al/American Journal Of Human Genetics

     

    Struggles-To-Unlock-iPhone Girl

    There’s a genetic condition dubbed “immigration delay disease”, where people have no fingerprints.

    Scientifically known as adermatoglyphia, it was first discovered when a Swiss woman struggled to get through immigration control when entering the US in 2007. Her dermatologists looked into the case and found that eight other members of the woman’s extended family also had no fingerprints. There are only four known extended families worldwide that have the condition.

    It turns out that it is caused by a single gene mutation and is totally harmless, if not mildly inconvenient (then again, think of all the crimes you could get away with).

    Does Ozzy have a genetic superpower that has protected his health from decades of living hard and fast? Marko Ristic ZT/Shutterstock

    The Incredible Aging Rockstar

    Ozzy Osbourne remains a total mystery to science. Nevertheless, sequencing his genome revealed some rather interesting insights into the human body and its limits. Despite living like a recklessly excessive, bat-eating lunatic for 40-odd years, Ozzy remains in remarkably good shape. A clue to this superpower could be in his genes and how it affects his metabolism.

    As reported by Scientific American in 2010, one of the many findings was an unusual variant near ADH4, one of his alcohol dehydrogenase genes. In theory, a change to this gene could either increase or decrease a person’s tolerance and metabolism of excessive alcohol, but the scientists say they aren’t sure which.

    Ozzy, however, is certain: “I used to drink four bottles of cognac a day. I’m not sure I need a Harvard scientist to get to the bottom of that mystery,” he replied in a column for the UK’s Sunday Times.

    Once again, it’s a pretty incredible ability, but we can’t see Marvel or DC Comics picking it up anytime soon.

    Brewery Boy 

    There’s a condition known as auto-brewery syndrome, or gut fermentation syndrome, that causes the gut to produce significant doses of alcohol from the sugars ingested in their diet, sometimes effectively leaving the person drunk. It’s believed that the condition is caused by Saccharomyces cerevisiae yeast in the gastrointestinal system.

    If you think this sounds like fun, you’re wrong. Many people will experience chronic fatigue, belching, dizziness, disorientation, irritable bowel syndrome, and effectively a non-stop hangover. If you are fortunate enough to not experience severe symptoms, you could still be arrested on drunk-driving charges, as one Texas woman found out in 2016.

    Read more: http://www.iflscience.com/health-and-medicine/some-humans-have-real-superpowers-here-are-the-lamest-ones-that-have-been-confirmed-to-exist/

    If Game Of Thrones Was Made By Disney

    While the huge fandom of Game of Thrones are waiting for the 8th and final season of the cult HBO series, the artists from Combo Estudio offer an alternative setting for the show.

    Fernando Mendonça and Anderson Mahanski have portrayed how Games of Thrones would look like if it was animated by Disney studios, and the result is as awesome as it sounds. The duo have captured the aura of Disney movies so well, you’ll probably wish they would reboot GoT ASAP.

    More info: comboestudio.com.br | Facebook

    Read more: http://www.boredpanda.com/game-of-thrones-disney-style-illustration-combo-estudio/

    These Are The Most Disturbing Psychological Experiments In Human History

    We can’t help but be interested in extremes. A few weeks back, we attempted to gather together some of the more visually gruesome ways to perish by nature’s hand – and now, we thought we’d treat you, so to speak, with some of the most disturbing psychological experiments ever conducted.

    “Most disturbing” is a tricky criterion to meet, but we’ll certainly give it our best shot. So, let’s start with a classic, shall we?

    1 – The Milgram Experiment

    Arguably the most infamous psychological experiment of all time, the Milgram experiment has continued to shock and bemuse researchers and the general public ever since it was originally carried out, with variants of it appearing in recent research and even high-profile TV shows.

    First conducted by Yale University psychologist Stanley Milgram back in 1963, it was motivated by the trial of Adolf Eichmann, a German Nazi lieutenant colonel and one of the architects of the Holocaust. While on trial, he famously effused that “he was just following orders”, and Milgram wanted to explore this further. Do people do terrible things just because an authority figure ordered them too?

    To find out, a deception was devised. In one room, 40 (male-only) participants sat; they were told that in the other, a man being trained to learn paired words awaited their questions.

    If they asked a question to test him on said knowledge and he failed to answer correctly, they administered an electric shock. The shocks were at higher voltages for each subsequent question, and cries of pain could be heard from the man in the room until he was apparently made unconscious.

    Of course, there weren’t any electric shocks being administered, and the man was an actor. The point was to see how far people would keep going simply because an authority figure was telling them it was fine to do so.

    Clearly, such an experiment provided the scientific community with some decidedly ethical pitfalls to explore. It was game-changing in what it aimed to discover, but the potential to inflict trauma on the participants is easy to see – and contemporary replications of the experiment have attempted to circumvent those to varying degrees.

    The original paper, published rather appropriately in the Journal of Abnormal Psychology, makes for some fascinating, unnerving reading.

    “Profuse sweating, trembling, and stuttering were typical expressions of [the subjects’] emotional disturbance,” it notes. “One unexpected sign of tension – yet to be explained – was the regular occurrence of nervous laughter, which in some subjects developed into uncontrollable seizures.”

    Forget about the disturbing nature of the study’s methods, though: what it found out was decidedly chilling. In the original experiment, it was thought that 0.1 percent of participants would go through the entire set of electric shocks. In fact, around two-thirds of subjects continued to shock away, even at the point of apparent unconsciousness on the actor’s part – and still, even in today’s experiments, the majority obey their orders.

    2 – The Little Albert Experiment

    Don’t be fooled by the adorable-sounding name – this one’s pure nightmare fuel. Taking place at Johns Hopkins University in 1920, John Watson and graduate student Rosalie Rayner let a 9-month-old baby, named “Albert B”, meet a white rat and a collection of other furry objects. He enjoyed it at first, but after a while, Watson snuck up behind the baby and made frighteningly loud noises whenever the rat and toys were available.

    Soon, the jump scaring stopped, but, learning to link the fear with the floofies, the baby adversely reacted to their presence. This is an example of emotional conditioning, a variant on classic conditioning, the type people most famously associate with Pavlov and his dog, who was similarly taught to associate food with a ringing bell.

    According to the American Psychological Association (APA), only in 2010 was the baby’s identity finally revealed: He was named Douglas Merritte, the son of a wet nurse who was paid $1 for her baby’s participation, which is $13.04 in today’s money.

    3 – The Stanford Prison Experiment

    Hoo, boy. This one, if you haven’t heard of it already, is legendary for just how chaotic, unpredictable, and disturbing it turned out to be. In the end, the outcome became so infamous that a plaque has been erected at the site of the experiment.

    Psychologist Philip Zimbardo, given funding by the US Office of Naval Research, was tasked with finding out what caused friction between guards and prisoners in both the US Navy and the Marine Corps. Setting a makeshift prison up in the basement of Stanford University, a group of physically strong and psychology stable students were recruited, fake arrested at their homes, and split into a group of “prisoners” and “guards”.

    The researchers sat back, asked them to behave like it was a bona fide jail, and watched what happened. What transpired next has been the focus of movies, documentaries, articles, and heated debate all over the world, but here are the highlights.

    Despite having some initial difficulty getting into the role of the guards, on day two, things escalated quickly. One “guard” took on the role of a cruel warden partly out of boredom. Prisoners, referred to only by their numbers, rebelled and formed a blockade within their cells.

    As noted by a feature on the BBC, that triggered a change in the guards, who reacted by removing the prisoners of their humanity. They forcefully stripped the prisoners, made them do Sisyphean physical exercises, refused to let them sleep, put them in solitary confinement, prevented them from using the toilet, and more.

    The original study noted that “soon, the prison began to smell of urine and feces.”

    The prisoners were also split up, with some placed in a privileged, “good” cell, and others placed in a “bad” cell; occasionally, some were switched around. This created suspicion among the more rebellious prisoners that the guards had turned other prisoners into informants, which broke down any unity and trust they had while engendering solidarity among the guards.

    Within just a few days, sadistic authoritarianism took hold and prisoners began to drop out. The first left after 36 hours, and “was suffering from acute emotional disturbance, disorganized thinking, uncontrollable crying, screaming and rage.”

    Several others soon displayed symptoms of extreme psychological distress, and the experiment was terminated after just six days – over a week earlier than planned – after Zimbardo’s future wife, Christina Maslach, expressed concern.

    “Our ex-con consultants later informed us that a very similar kind of tactic is used by real guards in real prisons to break prisoner alliance,” the study explains. “In fact, in a real prison the greatest threat to any prisoner’s life comes from his fellow prisoners.”

    Once again, the conclusions of the study were equally as distressing: Otherwise good people can do terrible things when given unlimited power.

    4 – The Monster Study

    With a nickname like that, you know you’re in trouble. Back in the late 1930s, University of Iowa speech pathologist and childhood stutterer Wendell Johnson became convinced that, based on his own life experiences, his affliction commenced simply because he was told he was stuttering by a teacher – and thus, a self-fulfilling prophecy began.

    Each case is different, but Wendell was wrong. Such feedback can reinforce stuttering once it’s begun, but that’s not how it starts. According to the NHS, its roots are linked to developmental and potentially neurological problems.

    In any case, back then, Wendell wanted to prove his hypothesis. Recruiting graduate student Mary Taylor to lead the charge, they both openly tested the idea if telling a nonstuttering child that they were stuttering could induce the condition.

    To do this, they used 22 young orphans, all of whom stuttered, and ideal for testing their theory thanks to a lack of an authority figure in their lives. Ten were known stutterers and were split into two groups of five, half of which were always told their speech is fine and half of which were always told their speech was as bad as people said. The nonstutterers were also divided similarly.

    Immediately, the nonstutterers who were told they were stuttering became very reluctant to speak. Some complained of not being able to get the sound out, and their self-esteem plummeted. Detrimental psychological effects linger in some of them to this day, and several became recluses. Although stutter-like behavior was observed, none actually developed the condition.

    The study itself was never published, but remnants of it can still be found in the somewhat regretful Taylor thesis, originally published in 1939.

    As it turns out, you can’t make a stutterer, but you can partake in an admittedly scientifically valuable but extremely grim experiment that culminated in a multi-million dollar lawsuit against the university and the state. In the end, the unwitting subjects were paid $925,000 for their troubles.

    Read more: http://www.iflscience.com/brain/some-most-disturbing-psychological-experiments-human-history/

    17 Rare Pics Reveal A Fake Rooftop Town Built To Hide Boeings Factory From Japanese Air Strikes

    During World War 2, one B-17 Bomber cost a little over $200,000 to produce. That’s about $3,4 million in today’s economy. And since the US Army requested thousands of these planes, they wanted to take every measure when securing the Boeing factory that produced them. And by “every measure” I mean hiring Hollywood set designers to build a fake neighborhood atop it and getting actors to inhabit the area.

    Protecting it from potential air strikes, the “neighborhood” was constructed in 1944 and removed a year after the war. John Stewart Detlie was the Hollywood set designer who helped to hide the Boeing Plant No. 2. Using the same techniques as in the movies, fake streets, sidewalks, trees, fences, cars, and houses were set in place to fool the would-be attackers.

    Underneath it, 30,000 men and women were constructing about 300 bombers per month to support the fight against Nazis. Boeing B-17 Flying Fortresses dropped over 640,000 tons of bombs over Germany alone during the conflict, and of the 12,731 aircraft built, about fifty remain in complete form.

    In the 1960s, the first Boeing 737s were assembled in Plant 2, but finished in the neighboring Thompson Site where the production of the 737 was eventually moved to. In the 1980s, the site was used as a machine shop but that discontinued as work shifted to more modern facilities. Ultimately, the structure fell into decay and in 2010, Boeing began the demolition of the plant.

    (h/t vintageeveryday)

    At first glance, this looks like an ordinary day in a small village with people enjoying the sun outside

    Image credits: Seattle Times archive

    But underneath this ‘peaceful town’ was a big military secret: a Boeing factory

    During WWII, the U.S. Army designed a whole neighborhood to throw off possible air attacks

    Image credits: Seattle Times archive

    On the roof of Boeing Plant 2, camouflage trees and structures were shorter than a person

    Image credits: Seattle Times archive

    Trees were made of chicken wire and feathers

    Image credits: Seattle Times archive

    A street sign plays off the fake neighborhood at the corner of “Synthetic Street” and “Burlap Boulevard”

    Image credits: Seattle Times archive

    Suzette Lamoureaux and Vern Manion examine one of the miniature bungalows in the “Boeing Wonderland”

    Image credits: Seattle Times archive

    Structures that look like cars from overhead are parked along a fake street

    Image credits: Seattle Times archive

    An aerial view of the camouflage on top of Boeing Plant 2 shows that the “streets” were aligned with real residential neighborhoods nearby

    Image credits: Seattle Times archive

    Joyce Howe, and behind her Susan Heidreich, walking over the camouflaged Boeing Plant 2

    Image credits: Seattle Times archive

    Boeing plant aerial photo taken from around 5000 feet. This was taken in either 1944 or 1945

    Image credits: Seattle Times archive

    Thousands of Boeing workers gather in front of Boeing Plant 2 for ceremonies marking the changeover from B-17 to B-29 production on April 10, 1945

    Image credits: Seattle Times archive

    The first B-52A is rolled out at Boeing’s Seattle plant on March 18, 1954. In order to clear the hangar doorway, the plane’s 48-foot-high tail had to be folded down

    Image credits: U.S. Air Force

    Boeing Plant 2. 5000th celebrations

    Image credits: Seattle Times archive

    Boeing Plant 2. B-17G Flying Fortress cockpits under construction

    Image credits: Bonneville Power Administration

    B-17F production line, Boeing Plant 2, July 14 1942

    Image credits: Seattle Times archive

    “Rosie the Riveter” at work at Boeing Plant 2

    Image credits: Bonneville Power Administration

    Image credits: Bonneville Power Administration

    Here’s how it looks like now

    Image credits: Google Maps

    Read more: http://www.boredpanda.com/boeing-fake-rooftop-town-world-war-seattle/

    Michael Caine: Boy, did we have fun

    As his documentary about the 1960s opens, the veteran actor talks working-class culture, Woody Allen and why he never liked drugs

    Now 84, Michael Caine has appeared in 127 films, including Zulu, Alfie and The Italian Job, and been Oscar-nominated six times, winning twice. Caine is the narrator, co-producer and star of new documentary film My Generation, about his journey through 1960s London.

    What inspired you to make MyGeneration?
    Simon Fuller [Spice Girls/Pop Idol svengali] and I are friends, and over dinner, conversation kept coming round to the 60s. He was too young, so was always asking about it. One evening he said, Lets make a documentary. You can tell the stories and Ill find the music. Its taken a few years, but thats what we did. I have a very good memory, which is fortunate at my age, so theres a lot of material left over. Were turning that into a six-part TV series.

    The film is studded with star names, but they dont appear in traditional talking heads style. Why?
    I interviewed loads of people McCartney, Twiggy, Roger Daltrey, Joan Collins but we ended up taking the footage out of the film. It screwed it up, because youre no longer immersed in the 60s, youre too busy going Oh look, hes gone bald, or Aint she got fat? So you only hear their voices; well use the footage in the TV series instead.

    I thought the saying went If you remember the 60s, you werent reallythere?
    Thats more the late 60s/early 70s. In the 60s, we were drinkers. What ruined the 60s, towards the end of the decade, were drugs. If people were taking cocaine, theyd start talking bollocks and not stop for hours. If they were on other drugs, theyd just sit around, going Wow, man. So it was either people talking too fast to understand, or people not saying anything at all. It brought to an end the 60s as we knew it which was a load of drunks getting up to all sorts and dancing like mad.

    Is it true you smoked marijuana just the once?
    Yes, and I laughed for five hours. I nearly got a hernia. I must have been very tense beforehand! When I left the party at 1am in Grosvenor Square, I was standing alone on a corner, roaring with laughter, and no cab would stop for me. I had to walk to my flat in Notting Hill, and when I got back, I vowed Id never take bloody drugs again. And I never did. Im not anti-drugs: Im sympathetic to people who take them, because theyve got themselves in a situation that I really do not envy. Most drugs are terrible at least marijuanas good for medicinal purposes.

    Watch a trailer for My Generation.

    You permanently had a fag in your mouth during the 60s, though
    I smoked a lot, but Tony Curtis saved my life. I was at a party, chain-smoking by the fireplace, when a hand came round from behind me, took the cigarettes out of my pocket and threw them in the fire. I turned round and it was Tony Curtis. Wed never met, but he said: Ive been watching you, Michael. Youre going to die if you keep doing that, you idiot. So I quit.

    I later took up cigars, but gave them up because of Hurricane Higgins, the snooker player. I knew Alex quite well, and one night I was smoking a cigar while watching TV. Alex came on the screen with a voice-box and I could see he was dying. I stubbed the cigar out in the ashtray and never smoked again.

    In the documentary you sometimes seem like the more senior, sensible one
    Well, I was a serious actor. Id spent nine years on stage and worked my way up to leading roles in movies. Id be up at 6.30am for a days worth of dialogue, so I couldnt stay up all night, dancing and getting laid. Dont worry, though between films Id go a bit mad.

    My Generation has a 50/50 gender split of contributors. Did you insist onthat?
    Absolutely. Im a feminist to the core. An interviewer once asked my wife, What first attracted you to Michael? and she said, The way he treated his mother. I respected women tremendously, right from the start. I just didnt know I was a feminist until they invented it.

    Social change is a big theme in MyGeneration
    Thats the serious point of the film, really. Society was transformed by the 60s. I was born during the Depression, then came the Blitz. I was evacuated and spent six years waiting for a telegram telling me my dad was dead. A tough start. Six years after the war, I was in the army myself first in the occupation force in Berlin, then the Korean war, fighting the Chinese. When I got home, London was all smog and rationing. The last straw was [Soviet leader] Khrushchevs speech saying they now had the atom bomb and could send it here in a rocket to annihilate us within four minutes. So the attitude became: Were miserable as sin, weve got four minutes to live, lets have some fun. And boy, did we have fun.

    Was there a working-class takeover of culture?
    Yeah, slowly but surely. Small things happened: Radio Caroline launched, before the BBC finally gave in and started playing pop music. Coffee bars started putting on live groups, like the Beatles. Discotheques arrived from Paris. The first night I went to the Ad Lib club run by my friend Johnny Gold, who later opened Tramp and called me Disco Mike every single Beatle and every single Rolling Stone was in there dancing. Pop culture went bang, exploded, and just kept going. Working-class kids everywhere

    David Bailey and Terry ONeill became almost as famous as the people they were photographing. I shared a flat with Vidal Sassoon and got free haircuts. Terence Stamp was another flatmate. It seemed like everyone I knew became famous.

    You were good friends with Roger Moore. Did his death last year hit you hard?
    Yeah, we were close. But at my age, you get used to your friendsdying.

    Youve been buddies with two Bonds, Moore and Connery. Who would you like to play 007 next?
    Tom Hardy. And make him do a posh accent.

    You won an Oscar for Hannah and Her Sisters. What do you make of the accusations against Woody Allen?
    I am so stunned. Im a patron of the NSPCC and have very strong views about paedophilia. I cant come to terms with it, because I loved Woody and had a wonderful time with him. I even introduced him to Mia [Farrow]. I dont regret working with him, which I did in complete innocence; but I wouldnt work with him again, no.

    Last year, you were in yet another Oscar-nominated film, Dunkirk
    Only a cheeky little cameo. Christopher [Nolan, director] and I have done six very successful films together. Im his good-luck charm. Or is he mine? Anyway, I had to be in Dunkirk, but there was no proper part for me because of my age. Instead I did the voice of the Spitfire squadron leader over the radio. I looked at the gross yesterday: half a billion. The lucky charm worked again.

    You seem almost as busy as ever
    Whats come into fashion, fortunately for me, is films for older people. Ever since The Best Exotic Marigold Hotel took $150m, theyve realised theres a generation who still go to the cinema. So last year I made Going in Style with Morgan Freeman and Alan Arkin, all of us in our 80s. Ive just done Night in Hatton Garden, about the oldest robbers in history. Its like the audience have grown up with me.

    Tess Daly says youd be her dream celebrity contestant on Strictly Come Dancing. Fancy it?
    Oh, really? Im afraid Im beyond that. She should be mighty relieved. I watch Strictly every weekend with my three grandchildren. We all shout out the scores together.

    Was the 60s the best decade of yourlife?
    At the time it was. Since then, my life has improved from decade to decade. My joy nowadays is not movies, money or women Ive been happily married for 45 years to the most wonderful woman I ever met its my grandchildren. Im devoted to them.

    Youre 85 next week. How are you celebrating?
    My wifes organising something but wont tell me what. My 80th was in Las Vegas with Quincy Jones. We call ourselves the celestial twins. He composed the music for The Italian Job and when he came on set, we worked out we were born at exactly the same hour. Were not identical twins, clearly, were celestial ones. One thing I love about Quince is hes always late for everything. He invited me around for lunch recently and he was an hour late. In his ownhouse.

    Will you ever retire?
    No. The movie business retires you. Ive just turned down a film, actually; but if I get a script I really want to do, I will. Im busy enough. Ive got the TV series and a book Im writing. I did a guide to acting, which went very well, so now Im writing one on stardom. Its full of funny stories and I name-drop like fury, obviously. You might have noticed.

    My Generation is released 16 March. On 14 March a preview screening in cinemas will be followed by a live Q&A with Michael Caine, broadcast from BFISouthbank

    Read more: https://www.theguardian.com/film/2018/mar/10/michael-caine-what-ruined-60s-drugs-my-generation-interview

    I Love How All The Space Movies Ever Have Like 8..

    Read more: http://www.ifunny.com//pictures/i-love-how-all-space-movies-ever-have-8/